Director: Alfonso Cuarón
Starring
Annie Porter
Dr Doug RossAstronaut that isn't American, so let's not give him any lines and kill him (off-screen) as soon as possible
The Plot
Ms Congeniality is terrified of space, but goes into space
and has her space-related fears confirmed, not entirely due to the presence of
a rather irritating Danny Ocean.
The Review – Warning: Spoilers
All anyone could really talk about after this film were two
things. Firstly, why couldn't Dr Patsy Stone hold onto Mike Wazowski? Secondly,
what happened to him after they got separated?
He's an answer for both: Who cares? Just be thankful he left
quietly, like a kind of embarrassed exit. He must have sensed how much I
disliked him and bowed out of the film respectfully.
Everything that came out of his mouth was a little
ridiculous and, as far as I'm concerned, was not at all representative of a believable
human. Of course, in the world of films this is not a requirement because
believable humans can be boring, but for a film that prides itself on its
scientific accuracy (as approved by NASA), they could have at least attempted
to make Clooney believable too.
Now, onto the part where the film got really good – I really
felt for Stone in this and the whole thing was gripping, both in terms of
action and visual effects. However, despite what the Cuaróns would like me to
admit, I did not feel for Stone due
to the fact that she had a dead child. I could care less if Stone's child was
dead or waiting for her at home; it does nothing for the story. Can I not feel
for the woman because of her horrific experience? Are we so disillusioned by
films depicting great scenes of horror that we need a tragic back story in
order to actually feel something for another person as they struggle to
survive?
I don't know if you've seen the short film that accompanies
this, called 'Aningaaq', but it's pretty cool for film nerds. I love a good
spin-off/tie-in. And if you can get past Stone barking like a dog, both the
feature-length film and it's short tie-in are worth a watch.
Final Thought(s)
How did Stone not get hit by shrapnel any of the times it was speeding past her for minutes at a time and
how did Cuarón get away with putting that
much foetal imagery into the film?
I look forward to the sequel, where Stone attempts to
survive the harsh landscape she lands in without food, water, or appropriate
clothing.